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Cake day: June 30th, 2023

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  • This has been a problem for far, far, longer than you think. The silver age definitely had it, the golden age probably did, and I wouldn’t be surprised if it cropped up in the proto-superhero stories, like Zorro. It’s a consequence of having a long-form story where the narrative’s status quo isn’t allowed to meaningfully change and characters either aren’t allowed to die or aren’t allowed to stay dead. Recurring antagonists also can have much richer characterization and more complex relationships with the protagonists, which makes writing stories about them more appealing the more often they appear.

    The usual trajectory for a new superhero or new incarnation of an existing superhero is to start off with street-level problems, then get a nemesis that has strong ties to those street level problems, then have the dynamic between the two grow in prominence to eclipse all other parts of the plot. The Joker, for instance, always starts off as either a mob boss with a gimmick or a serial killer with a gimmick, not far removed from the mundane crime Batman always starts with, but always winds up with a fixation on Batman and spawns stories designed as some commentary on Batman’s no-killing rule. Again and again and again, dozens of times over the decades.

    Why? Because the dynamic between the two characters tends to be fascinating and results in audience engagement.





  • Putin’s made it clear that Trump doesn’t call the shots in their relationship. Trump’s ego can’t handle that, so now Putin is his enemy. We’ve been seeing Trump slowly figure this out over the course of the year, starting from him saying he could end the war in, what did he say, a week? He clearly wasn’t let in on the invasion plan, either because he can’t keep his mouth shut or because Putin thought the war would be over before the election.

    Of course, with how senile he’s becoming and his probable recent stroke, it’s unclear if this will stick or he’ll forget about it in a day or two.



  • A lot of that article is a stretch. Some of these things are very basic storytelling elements or ancient character archetypes, and things like Empire vs Imperium are only similar in that they’re empires in space; everything about how the empires actually work and their relationship with the main character is completely different. And space empires are older than Dune, but nobody accuses Dune’s Emperor Shaddam of ripping off the Flash Gordon character of Emperor Ming.

    Everything is derivative. Even the Epic of Gilgamesh probably borrows from some older oral tradition that was lost to time. While Dune influenced Star Wars, Flash Gordon and pulp fantasy were stronger influences. Dune, meanwhile, is essentially Lawrence of Arabia crossed with Hamlet.