_NetNomad

jim morrison predicted that some day a single person will be able to produce a full song with machines but never lived to see it happen, so i’m not sure exactly what but i’d definitely show him something entirely arranged and rendered on a computer

the artist, keith stack, uses to do daily comics leading up to major releases, hiding a countdown in each comic

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i think about this every time i open outlook on my phone and have to wait a full minute for it to load and hopefully not crash, versus how it worked more or less instantly on my phone ten years ago. gajillions of dollars spent on improved hardware and improved network speed and capacity, ans for what? machines that do the same thing in twice the amount of time if you’re lucky

i would watch all of the above. with discovery at the very least the first four seasons, because S2 is a backdoor season 0 of strange new worlds and S4 rocks but needs the context of the first 3. it can be very uneven but i don’t think it gets bad as often as Picard did and doesn’t stay bad for as long as Picard does. Enterprise is similar, a rough-at-times ride that does really pay off in S3

you’re only gonna watch one, though, i’d do strange new worlds. it’s essentially a return to the TOS/TNG format and has a stellar cast. and frankly you don’t need to watch disco S2 to fully know what’s going on, they explain everything- i only watched disco after snw S1 left me hungry for more. SNW is seemingly unique among trek shows in that every season has been less well recieved than the last, partly because the short seasons are increasingly dedicated to gag episodes, but i’d say with the exception of one particular stinker in S3, a weaker SNW episode is still gonna be better than most shows at their best

but also- you’re your own person and may walk away from all of these series feeling someghing different! no harm on trying and if you hate something hey, it only cost you 40 minutes of your life

i’ve heard this called the Seinfeld effect, where Seinfeld was so influential on sitcoms that built off of it that it seems generic in hindsight

appropriate given they’ve been screaming “DON’T YOU WANT ME” at disinterested parties all this time

i still think Balan Wonderworld was awesome. the single button controls were refreshing after three decades of controller bloat, the suits felt like a fun evolution of the character switching from LEGO Star Wars, the game is full of weird nooks and crannies that constantly had me thinking “i can’t believe they thought of that,” and the music and art kick ass. there are definitely areas that could be improved and i think we were all hoping for something more kinetic from Sonic Team alum but it’s still ultimately one of the better AAA games in the last few years. i still don’t understand the backlash, especially after the crickets Naka’s previous and signifigantly worse game Rodea the Sky Soldier got

+1 for Bandcamp. they often run a “bandcamp friday” event where they waive their cut of all music sold that day, so almost everything (payment processors still take a cut) goes to the artist. there are also self-hosted alternatives to bandcamp like faircamp

i can hear it in Dorn’s voice so clearly: “Bubbles is not a traditional name for a targ.”

something that i think gets lost in the sauce in thrse discussions is whether fun is derived from playing or winning. people are comparing Silksong- and to get ahead of it right now i haven’t played and am not criticizing either of the Hollow Knights- to old arcade and early console games and their legendary difficulty, but a lot of those games were meant to be complete and fun experiences even if you game over very early on. they also didn’t have levels full of bespoke Stuff in them, it was the same few tiles and entities in different configurations., so being stuck on level 1 didn’t mean you were missing out on a narrative and worldbuilding. with how the lines have blurred between games and narrative art forms in the last few decades, there are different incentives at play and someone stuck on world 1 of SMB isn’t missing out nearly as much as someone stuck on whatever the first stage of Silksong is. it’s all ultimately apples and oranges

thank you!

can anyone recommend a good read into the actual developments happening with ATproto as of late? i’ve seen a lot of insisting lately that things are changing/have changed but no one’s saying what exactly is or has changed

i think it’s becoming an inevitabiliy. when you have the EU passing laws preventing data collection and US states like mississippi requiring it, eventually the laws become incompatible and your only options become serving a different site to every jurisdiction or just blocking large swathes of the planet. i think unfortunately we’re in the last years of there being a singular “the internet” as things shift from nations reactively geoblocking sites to sites proactively geoblocking themselves

what confuses me the most about these videos is the call to action. go back? that’s not how time works!

i mean you’re totally right, the entire premise is a huge stretch. that’s part of what makes it so fic-y, which is certainly not for everyone’s pallette

there’s a series of in-universe biographies that ranges from good to great. The Autobiography of Mr. Spock and The Autobiography of Benjamin Sisko are my favorites, they’re very good looks into those character’s minds and also give you a lot of cool background info on the federation inside and outside of starfleet. i definitely recommend those two and the rest of you’re hungry for more after

if you’re salty about how Enterprise ended, espwcially for one character in particular, The Good That Men Do is worth checking out. it reads like a fixfic because it essentially is but hey. it leads into a few other books but i haven’t had a chance to read them yet

for me, the foam rocks and rubber foreheads were part of the fun, like watching a magic show where you know where to look. i would be thrilled if all of SNW looked like the TOS parody from this episode, especially if it brought back 24-episode seasons. probably not a common sentiment though lol

anyone interested in this should also check out Star Garden, which combines elements from the original Air Ride and the a-life features in the Sonic Adventures, a very dangerous combination for gamecube kids

Or the moment where he’s, like, “I choose neither” of the bad decisions, that’s not taking responsibility.

this is really interesting considering in the Kelvin movies, that’s considered a strength and one of Kirk’s defining features. one of my favorite tjings about this current wave of trek is how it takes apart the idea of the idea of the perfect, mythic captain. They feel more human this go around, which makes the times they do shine and embody the classic captain archetype that much more powerful