Gonna try to phrase this an inflammatory way:
People who like bad movies have been conditioned by consumerism to not appreciate art. They believe spectacle, humour, and a tight plot are ‘good enough’, and they don’t value thoughtfulness, novelty, beauty, or abrasiveness nearly enough. Film is more than a way to fill time and have fun. Film is more than an explosion, a laugh, and a happy ending.
On an unrelated note: Mad Max: Fury Road is one of my favourite movies.
I don’t really know what this post is on about, but science is not truth. It’s a system of prediction. The closest you can get to “truth” would be observation and data. Science is the process of interpreting these facts to better understand what things will look like in the future. It is obvious that science is not ‘true’, because by its nature it requires change over time as our models of the world improve.
It really feels like there’s a game there that’s never been fully realized but would be super successful if somebody figured out how to do it right.
I’ve read similar things about the development of Morrowind, about creative decisions needing to get past Todd, in this excellent article about its development.
Here are some quotes from Michael Kirkbride:
The game was originally set in the Summerset Isles. And then we got bored and decided, “Man, this is really boring. How about we put it in a volcano with like giant bugs everywhere?” And people were like, “What?” So Todd Howard — the easiest way to get anything past Todd, at that time, was you basically just had to say “Star Wars.” Which was true for me and anybody then. So I was like, “The game should be like Dark Crystal meets Star Wars.” And he was immediately hooked. I got all the bug creatures I ever needed, we moved it from Summerset Isles to this weird dark-elf place on the map, and we just went from there.
I used to have this thing with Todd, because he was one of the ones that’s like, “Let’s not make it too weird.” So I’d bamboozle him. There was a period where I would actually draw two different versions of a monster — the one that was weird and that I wanted to be in the game, and then one that was fucking crazy. And so I’d go to Todd, and I’m like, “OK, I think I’ve got the mid-level creature set.” And I’d show him a picture. He’d be like, “Nah, dude, that’s crazy.” Then I’d go back to my office and I would act like I was drawing something new, and I’d just come back with the original drawing of what I really wanted to be in there. Like, “Hey, is this what you were thinking?” And he’d be all, “Oh, yeah, that’s much better. That’s great.”
I can definitely believe his influence has become immense following the studio’s success - though it definitely feels like he needs to hand the reins over to somebody else.
I suck at math, but if the mean is sufficiently over the “positive” threshold, and there’s a low standard deviation across reviews, wouldn’t this have the problem I describe? The more certain people are about the quality of good games, the less relevant the ratio becomes, which is perhaps the opposite of what you would want.
I played it - and if it was truly only made by two people is quite impressive - but it’s just alright. The world is very cool, and is structured around multiple levels of a tower each with their own language that you need to learn to progress. My main issue with the game is that the differences between these languages, and the puzzles built around them, aren’t particularly interesting or deep or varied. There are a few gems, but overall it’s much closer to a traditional adventure game than you might expect on first glance.
That said, the art and world design are very cool.
Edit: As an aside, it’s worth noting that the Steam Reviews metric is a tad misleading in a similar way to Rotten Tomatoes, in that it only gauges ratio of positive reviews, over what those reviews are actually saying. A universal consensus of a game being a 7/10 (if we assume 7/10 is positive) will appear “better” than a game where 99% of people believe it is a 10/10, but 1% think it sucks. It’s good at predicting whether you will like it, it is bad at predicting how much.
That’s one way of seeing things, and I respect that viewpoint, but I disagree. I primarily view myself as my consciousness; everything else is secondary. How do you know you aren’t a brain in a vat?
I believe consciousness is a result of processes of the brain, and the brain is a very complex machine. It’s hard to say anything too concretely beyond that because I don’t really understand how it works. I live as though the brain and my consciousness are in perfect sync, but I’m unsure how true that is.
There are, for example, experiments where it can be shown that decisions are made before we are consciously aware that we have made them. Others show that severing a nerve between the hemispheres of our brain can result in two independent consciousnesses. Who can say where I end and my brain begins?
Doesn’t that imply that people have the ability to change their behavior?
My answer changes depending on your meaning but:
Of course. My brain is constantly updating and improving itself. I’m just not ultimately in control of how that process happens. Though that does not mean that I should stop living. I can still experience and enjoy my life, and ‘choose’ to improve it. It’s just that the I that made that choice is a consequence of my brain calculating optimal paths based on a myriad of factors: genetics, culture, circumstance, biological drives, personal history, drugs, etc.
I’m a fairly hardcore/radical determinist, and tend to agree that individuals shouldn’t be held morally responsible for actions, any more than a hammer is morally responsible for driving a nail. However, that does not mean people should be free from consequence. There are plenty of reasons - even as a hardcore determinist - to hold people to account for their actions, either as a social corrective mechanism, public safety, deterrent, or personal sanity.
As for getting their actions to align with your morals, that’s a more complicated question that depends on the type of person they are.
The Curse of the Black Pearl, and it’s not particularly close.
people who sold millions of shares
Is there a source for people selling millions of shares?
It’s based on assumption, not faith. If we can trust our senses, and if things will continue to be as they have been, then the things we are learning have value. As long as you can recognize that everything could in theory end or completely change at any moment, it’s not blind belief.