I recently saw Star Trek Picard, the first season was okey, season 2 was awful, the season 3 was nice.
Acording some critics last Discovery season is bad, so now I’m afraid of looking a series who has a bad ending, it worth to watch or is as painful as Picard Season 2? Or I should watch Strange New Worlds and Enterprise instead?
It’s not awful. In fact it has a lot of great high points. On balance, I would say that if you compared it objectively to the first 65 episodes of TNG, it would compare rather favorably.
I very much enjoyed the start but steadily lost interest.
There’s some good stuff in Discovery all the way through, don’t get me wrong. But they kind of flipped the script in a way I did not appreciate.
Most of classic Trek showed us a future with a largely functional society, mostly full of good people who were ready and willing to deal with occasional corruption.
Lots of newer Trek, and especially Discovery, showed us a future where society is largely dysfunctional and corruption is the norm. Almost everyone in the series who isn’t a main character (plus a couple who are) is a piece of shit. Even the “good guys” frequently encourage or at least tolerate clearly evil behavior as long as it serves their ends. But it’s okay because…friendship I guess?!?
Their heart is in the right place but the writing is generally bad. I think this generation of writers is incapable of imagining a better world, which, sure, is understandable, given how thoroughly corrupt our current society is. But it’s deeply depressing. It lacks soul.
SNW is better in this regard. But you’ll probably want to watch season 1 of Discovery first since there’s some crossover.
It’s fine.
And those that disagree should be forced to watch Star Trek: Section 31 until they can have a reasonable conversation like an adult.
Discovery was so bad I had to stop after season 2 and have written off everything that they’ve set in the 31st century
It’s not very good, but it does have some really good moments, and some really good ideas mixed in with the less-good stuff. It’s worth watching. Just put your fingers in your ears and la-la-la through all the Klingon retconning and inappropriate pathos. There are moments where the emotional storyline are good, but they cry wolf too often.
You need to get passed the first story arc, then it gets really good. It doesn’t really feel Star Trek™ at first, but that changes and it’s worth the journey.
It wasn’t my cup of tea.
My favorite new Trek remains Lower Decks.
It’s fine. It’s probably the weakest of the modern Trek shows, but only because SNW and LDS are so good.
No. Far from it. The First half of the first season sucks, second half gets better, Second Season is really watchable, third season is where it grows it’s beard.
The main problem with discovery is they set it basically in the tos timeline which created all these weird plot things that had to be resolved with weirder plot things. I firmly believe if they had set it a decent amount post voyager that it would have made it much better. I don’t want to spoil but I felt season 2 fit better but having such weird start really messed it up for me.
I’ve been doing a complete rewatch of Deep Space 9, and it really underscored why I didn’t enjoy Discovery and Picard. My favourite parts of DS9 are the character driven moments, whether they’re big and dramatic, or lightweight and silly. I like that the show has enough space for that. The show has more Plot than previous Star Trek, but that Plot still serves the characters. Discovery is not nearly as bad as Picard on this front, but I still found myself wishing for more opportunity to get to know the characters.
It’s also important to separate what you’re seeing online from the leftovers of a manufactured “opposition campaign” orchestrated by a handful of reactionary influencers.
Personally speaking I did not like the early two seasons, but I thought three is ok, and seasons four and five I consider to be some of Trek’s best!
Naw it’s a journey. I accepted discovery like I did voyager. Once I saw what it was in it own, much better. Second watch got better, just like voyager.
There is an entire season about warp drive not working anywhere in the universe. It turns out that it stopped working because an alien got really sad. Not because he did anything because he was sad, just because he got sad. Ohh, and somehow the Vulcans, with all their logic, never thought of tracking down the cause by triangulation.
That was the end of the series for me.
This, and he wanted connection from someone of his species, and the first officer of the one ship that can overcome the plot debuff happens to be that species, a species we barely see outside this plot…it’s writing so bad you can’t see the show through it. Emotional stories are appropriate, it’s why Troi was a bridge officer. But this show was constantly setting up unsolvable problems that could only be fixed by this one crew, which breaks immersion. Good trek doesn’t have 50 Galaxy or universe ending threats only fixable by plot-armored main characters, it has ship, person, and planet level threats giving you the space to appreciate the human story. Even DS9 kept the stories on missions while the thread of the war was just a hum with reasonable stakes.
I really find this narrative offensive.
First there’s the mischaracterization of a very young and completely dependent who child completely abandoned with the death of the last adult who cared or supported him.
But more than that, Star Trek is littered with a trope about children with incredible powers to interact with the universe who nearly destroy the galaxy or civilizations or large swaths of them.
It started with Charlie X, and was taken up by every other series, sometimes more than once.
On all those other occasions, our hero ship and crew miraculously saved the day and prevented disaster by psychic or superpowered child who was incapable of adult decision-making.
Discovery called the bluff.
Discovery reversed the trope, had the child’s powers actually destroy civilization.
Instead of the hero crew stopping the disaster in the nick of time (again), Discovery finds the child and solves the problem.
And long time fans are offended by THAT?!!
Honestly, when I hear that interpretation it makes me feel like the person didn’t actually watch the season, they just watched the outrage peddling influencers online.
Semi-related but I lost count of the number of times someone on Reddit described Adira’s coming out (a ten second moment in a larger unrelated scene) as a “huge story arc” or being comprised of “multiple episodes” being “shoved in the audiences faces”. I felt like I was taking crazy pills until I learned that’s exactly how the outrage-tubers were presenting it. If you’d never watched the season you’d have no idea it was such an inconsequential moment.
Honestly, when I hear that interpretation it makes me feel like the person didn’t actually watch the season, they just watched the outrage peddling influencers online.
Sorry to say, I watched every single episode, up until the end of that season, myself. I’ll admit to being extra harsh in judging this season since I was already pretty fed up with the writing by that point. I had very little patience left.
I’m sorry, but if you truly watched the entire season, you’d know that your description of the events is incongruous with the events as presented on screen.
I watched all of Discovery. It is, by far, the worst of all Star Treks. (Disclosure: I have not seen TAS.)
The reason is simple: Discovery is really the Michael Burnham show. She is the Mariest Sue who ever Mary Sued. Discovery could have been a really great show if it had been an ensemble show because it has a lot of very interesting characters whom we never explore.
Instead, everything centres around Burnham. She is the reason for the war at the start of the show. She is the magical, fated solution. She is Spock’s (adopted) sister and had immeasurable impact on his life. Even through timey-wimey things, her (biological) mother comes to save her and the universe.
And on top of all that is the crying. Oh, gosh, everything is so emotional on this show. There is a time and place for emotions, but Discovery was too much of it, including inappropriate times. Burnham and her maybe-broken-up-boyfriend stop in the middle of an infiltration in a hostile station to talk about their relationship.
Even the really great characters, Saru and (Emperor Georgiou) centre around Burnham. She is like a sister to Saru, she saved his life, he gives up being a Captain to continue serving under her captaincy. Burnham is Georgiou’s daughter (not actually), and Georgiou’s love for her (as much as she can love) changes her.
No one has a story unless its actually about Burnham. Or they get a story and then get killed off.
The best thing about Discovery is it brought Trek back on TV and it gave us the rest of this era of shows.
Not Mary Sues:
Kirk: repeatedly impresses god-like beings with his emotional maturity and reasoning. Fought hand-to-hand with Khan and won. Saved the whales.
Picard: passes Q’s trials and makes a case for humanity’s worth, multiple times. Proves Data’s person-hood. Survives Carassian torture by sheer willpower.
Sisko: chosen as the Emissary. Does wrong and suffers no consequences.
Janeway: holds fast to Federation principles even when it prevents her from getting home; gets home anyway.
Archer: so important that Daniels and the Xindi both fight over him. Ends the Temporal Cold War and founds the Federation.
Mary Sue:
Burnham: starts the Klingon war, freed from prison by a Terran who uses her as a pawn. Gets called out for breaking rules.
Is this right, @Akuchimoya@startrek.website ?
Thank you for the sanity. I get so tired hearing Burhnam being held to such an obvious double standard. I wonder why? What is different about the character?
I think Picard was worse than Discovery. Discovery had major flaws but there were moments when it really shined. It had some interesting ideas too. It just wasn’t an ensemble show.
Picard is just awful. Mediocre S1-2 that doesn’t know what it’s trying to achieve, and then S3 abandons every plot thread that they bothered to build up in favor of nostalgia baiting and bringing back the Borg, which was very tonally confusing after S2.
The tone is also just bizarrely dire throughout. People complain about Discovery not feeling like Trek, but I had that problem way moreso with Picard. And now it’s this minefield in the canon of the early 25th century that every show that comes after will have to figure out what to do with. At least Discovery going immediately jumping to the far future means it wasn’t able to fuck up the timeline much, and what it did do was cheekily classified.
I am no fan of Discovery but can you re-read that and substitute another name, like I dunno James T Kirk? Why is it always about him? Why is he so good at everything?
Having a female MC does not make it automatically a Mary Sue. Especially not when they are smacked down constantly, shown making lots of mistakes, and having a character development arc.
She is the Mariest Sue who ever Mary Sued.
For clarity’s sake, a Mary Sue describes a character who can do no wrong. This is how it’s described on TVTropes:
[A Mary Sue] is exceptionally talented in an implausibly wide variety of areas, and may possess skills that are rare or nonexistent in the canon setting. She also lacks any realistic, or at least story-relevant, character flaws.
I’m curious how you square that description of a Mary Sue with Burhnam’s many regular, repeated, failures and flaws as seen on screen and described in the dialogue? As one example, her character is introduced in the very first episode as a misguided mutineer and is demoted for it.
It’s not my favorite Trek, but I do like Discovery. That said, your summary is 100% accurate and emphasizes my least favorite parts of the show.